Oral Interview with Susy Naylor for the JMABC Artists Scribe. Interviewed by Helen Aqua. Susy was born in Brooklyn in 1943 and talks about her family history in the city and abroad, as well as her immigration to Canada as an adult. She talks about her education including two nursing degrees which led her to teach nursing upon moving to Winnipeg. Wanting to transition to counselling, Susy moved to Coquitlam and commuted to school in Washington which eventually enabled her to open a private practice. Susy describes her challenges doing art from home as a middle-aged mother and how her outlook on her artistic ability changed as she did more workshops and gained mentorship, albeit still experiencing impostor syndrome. Susy discusses how her paintings don’t truly have stories, but are ambiguous and she loves to hear the interpretations of the viewers. Susy also discusses how participating in a Leonard Cohen themed art show made her realize her difficulties visualizing imagery in her head when she had an idea, helping to clarify her artistic process. She talks about her involvement in galleries and art crawls, and teaching classes to others who question if they can be an artist.

Oral History Interview with Nora Patrich for the JMABC Artists Scribe. Interviewed by Carol Herbert. Patrich was born in Argentina in 1952 and speaks about her upbringing between Argentina, Israel and the United States. She discusses her exposure to political activism and Latin American expressionist art throughout her formative years, including mentorship within her father’s politically charged arts collective named the Spartacus Movement. She tells her experience of the military coup in Argentina during the ‘70s, that forced her into exile in Israel with young children after her husband was assassinated. She explains how this led to a life of traveling activism denouncing Argentina’s past military atrocities, including anti-Semitic genocide, and fighting for human rights through art and protest. Patrich’s primary art mediums are painted murals and sculptures; she discusses their public installments into places like past concentration camps and military bombing sites, and how her art will always be political. She closes by talking about doing mosaic work, independent book printing and publishing, and how there is a documentary about her stories of Argentina.