Oral History interview with Albert Melul. He speaks French, Spanish, Arabic, Hebrew, Italian, English, and some Ladino. He grew up in Tangiers. He was a scout and scout master as a teenager. When Israel was established, he helped move people there but decided to go see the world before settling. When he first came to Canada he worked in a factory in Toronto. He moved to Vancouver for a job with the JCC and National Council. He talks about the Sephardic community as well as the general community in Vancouver.

Oral history interview with Allegra Dayan who was born in 1914 in Egypt and emigrated to Vancouver, Canada in 1957. She started working as a nurse at age 14. Her father was a Rabbi at the Jewish Hospital. She got married, moved to Cairo with husband and mother-in-law. They had 6 children together. Her husband worked in a bank. In the mid-50’s the Egyptian government force her husband to leave his job. They fled to France. They moved to Canada in 1057. Some of her children moved to USA and Israel. She was active with the Golden Agers. Allegra sings in Arabic.

Oral Interview with Joyce Ozier for the JMABC Artists Scribe. Interviewed by Carol Herbert. She speaks about her upbringing in the Jewish community of Boston, MA and provides a brief summary of her immediate family. She talks about her education, including her early artistic influences, and anecdotes relating to producing art and experiences as a child and teen. Joyce talks about how her arts career truly started in the experimental theatre/performance art scene in 1970 Vancouver. She talks about how this led her into arts administration in dance companies, and later teaching English as a second language into her fifties. Joyce explains how ESL teaching didn’t bring her the same happiness as the arts, and how her son convinced her to try store window dressing, which she eventually turned into a business for 10 years. She tells of how she transitioned to a full time visual artist, and how her art style is based in abstraction, movement and thematic use of colour. She also describes a prominent collection of work about the Holocaust that she is most proud of. She talks about how she continues to paint, and is also a part of a collective that she created for artists aged 65 and above called the B-Older Gallery.