Oral Interview with Barbara Heller for the JMABC Artists Scribe. Interviewed by Daniella Givon. Barbara, born in Vancouver Canada, talks about her family’s origins in Poland and immigration to Canada. She speaks about her upbringing in Vancouver and how she was surrounded by art in her childhood, leading her to become a visual person and a creative. Barbara discusses her interest in religious mysticism which inspired her education and later, became a specific influence in her art pieces. She speaks about how at first she wanted to be a printmaker but pregnancy led her to work with tapestry and she never looked back. She speaks about recurring symbols, like dead birds, in her art which provide a greater message to her audience about themes like life and war. Barbara discusses the highlights of her career, like showing art in Poland and working with various art collectives within North America, all with the support of her family.

Oral History interview with Ben and Rita Akselrod. Rita was born in Bacau, Romania. They met in a DP camp in Austria. After the war they went to Israel then came to Canada via Italy. They worked as a peddlers then with antiques. Then started a second-hand and antique store in New Westminster. They talk about how antisemitism didn't disappear after the war.

Oral history interview with Bertha Uniden who was born in Poland. She has worked for B’nai B’rith

Oral Interview with Cynthia Minden for the JMABC Artists Scribe. Interviewed by Bill Gruenthal via remote Zoom call. Cynthia was born in Toronto in 1953 and describes growing up into a family full of musicians, including her parents, who also admired visual arts. She talks about her professional background in classical music as a flautist where she was a member of ensembles, a music teacher, and an arts administrator. Cynthia speaks about her brothers moving to Vancouver and her love of rural living as inspiration for her to move from Toronto to Denman Island. Cynthia discusses her beginnings as an artist through making baskets and subsequently sculpture, collage, surface design, and other art forms. She talks about translating her art practice into therapeutic work through equine facilitated wellness, where people can connect with nature and do be guided through art projects. She speaks about her work in exhibits including the political inspiration behind her pieces: from themes of refugees and migration to environmentalism and making art from reclaimed objects.