Oral history interview with Pnina Granirer. She was born in 1935 in Romania. During WW2 she went to a Catholic school because Jews weren’t allowed to go to school. Pnina left Romania in 1950 and moved to Israel. She went to architect school but wanted to be an artist. She worked as an illustrator. She moved to Canada with her husband because of work. They originally thought they would move back to Israel, but it did not happen. Pnina is a successful painter and has taught throughout her life.
Oral Interview with Cynthia Minden for the JMABC Artists Scribe. Interviewed by Bill Gruenthal via remote Zoom call. Cynthia was born in Toronto in 1953 and describes growing up into a family full of musicians, including her parents, who also admired visual arts. She talks about her professional background in classical music as a flautist where she was a member of ensembles, a music teacher, and an arts administrator. Cynthia speaks about her brothers moving to Vancouver and her love of rural living as inspiration for her to move from Toronto to Denman Island. Cynthia discusses her beginnings as an artist through making baskets and subsequently sculpture, collage, surface design, and other art forms. She talks about translating her art practice into therapeutic work through equine facilitated wellness, where people can connect with nature and do be guided through art projects. She speaks about her work in exhibits including the political inspiration behind her pieces: from themes of refugees and migration to environmentalism and making art from reclaimed objects.
Oral History Interview with Mordechai (Robert) Edel for the JMABC Artists Scribe. Interviewed by Daniella Givon. Edel was born in England in 1949, but describes the life stories of him and his family spanning across Europe, North America and within Israel. These stories include his family's experience with the Holocaust and his growing up Jewish; they also detail his many professions before becoming an artist including musician or hazzan, hairdresser, and photographer. Edel's primary medium of art is oil painting which is in the impressionist style, and constantly informed by his Jewish faith and heritage. Edel tells anecdotes of some of the people he's met through his art within Canada and abroad, and his most memorable commissions along the way.
Oral Interview with Jack Rootman for the JMABC Artists Scribe. Interviewed by Carol Herbert via remote Zoom call. Jack describes his early artistic influences attending children’s art classes at the Kost House in Calgary where he grew up. Jack speaks about how he fell in love with sciences in his teens, which lead him to a career in medicine as an ophthalmologist and ophthalmic surgeon. He discusses how his studies by night at Emily Carr aided him in his medical practice by day, but also how attending workshops, and working in his own studio propelled his painting career forward in BC and beyond. Jack talks about the different mediums he works with, including oils and watercolours, and what influences his paintings, like nature and colourscapes. Jack discusses is work in the arts community, including his thematic shows at various galleries and creating a program for having art in hospitals. Jack speaks about advice for other artists and doctors.
Oral Interview with Cynthia Ramsay for the JMABC Artists Scribe. Interviewed by Daniella Givon. Cynthia was born in Moncton, NB but spent most of her time growing up in Winnipeg. She talks about her family history, including her father’s second marriage to a Jewish woman allowing her the choice of converting to Judaism. She speaks about her Jewish education and embracing Jewish family and traditions, as well secular education including degrees in economics. Cynthia talks about her early career at an economic think tank and career at the Jewish Western Bulletin. Cynthia describes coming to own the JWB with her colleagues and changes the publication went through moving it beyond a solely right wing paper. She speaks about her marriage and how she met her wife. Cynthia talks about how she first joined the Scribe as editor and how she began producing the Scribe editions thematically. Cynthia discusses how working on the Scribes fostered a deeper connection to the Jewish community in Vancouver, but also provided insight into prominent Jewish families and businesses in BC, and how their impacts persisted into the present day.
Oral Interview with Stacey Lederman for the JMABC Artists Scribe. Interviewed by Perry Seidelman. Stacey talks briefly about her family history and growing up in Tsawwassen. Her post-secondary education led her to working in business and finance, but having children changed her career path after not working for more than a decade. Stacey discusses her introduction to recreational art classes in Vancouver and how attention from peers quickly saw her realize her talent, and also book her first art show. She describes her work as mixed-media, which includes using different mediums such as acrylics, ink, resin, and photography. Stacey talks about how she is drawn to edgy, colourful pieces including graffiti which can be seen in her own art pieces. Stacey talks about the artists who inspire her as the motivations behind her pieces. Stacey discusses the theme of hearts in her work, art crawls, and her favourite pieces of work. She speaks about how visiting Israel inspired her, and how things like real life, emotion and intuition informs her art practice.
Oral History of Anne Goldbloom. Her father was from Poland, and her mother was from Russia, they meet in Liverpool. Her uncle, Jack Stark, was the first family member to come to Canada. He originally settled in Winnipeg but moved to Vancouver before Anne's family immigrated. Her father followed her uncle to Canada and they opened a store together. At 16 Anne got a job as a stenographer, a skill that she used working as Secretary for many Jewish community organizations. During WW2 she was in charge of the knitting group that was making items to send to the overseas soldiers. Most of the interview is about her work with the National Council of Jewish Women and their Baby Clinic. She talks a lot about the Jewish community that she grew up in Vancouver.
Interview with Vanessa Marks. Interviewed by Cindy Rozen. Vanessa talks about her family's history, her childhood, and her immigration to New Zealand and eventually Canada. She compares life, culture, and the Jewish community between South Africa and Canada, and talks briefly about her education, career, and family.
Oral Interview with Monica Gewurz for the JMABC Artists Scribe. Interviewed by Carol Herbert. Monica tells the story about how her parents met and how they ended up in Peru, where she was born. She describes how she ended up in Canada through education in the sciences where environmental planning was a large focus of her studies and careers, and how environmentalism informs her art practice. Monica talks about her mission of incorporating visually pleasing images, most often natural landscapes, to advocate for environmental causes. These works often include using upcycled materials and attempts to illicit emotional response from the viewer in hopes of bridging the gap between art and science in her work. Monica discusses her experimental processes of making paintings and mixed-media pieces, and how she revisits old works to upcycle them as her methods change. She also explains her self confidence and adaptability, and how this has led to work with galleries, commissions and charity. She closes with thoughts on the accessibility of art.
Oral History Interview with Janet Esseiva for the JMABC Artists Scribe. Interviewed by Helen Aqua. Janet Esseiva was born in South Africa in 1964. She is an artist currently based out of Bowen Island, B.C. Esseiva describes her younger years in South Africa during the time of Apartheid and her meaningful exposure to the arts. She explains her transition from an Information Technology professional in Cape Town to an immigrant in Canada eventually working as a full time artist. Esseiva is known for painted works that focus on nature, and she explains how these works can evoke strong emotions and meaningful connections between art and artist, as well as artist and viewer.
