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Visual arts
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Jack Rootman

Oral Interview with Jack Rootman for the JMABC Artists Scribe. Interviewed by Carol Herbert via remote Zoom call. Jack describes his early artistic influences attending children’s art classes at the Kost House in Calgary where he grew up. Jack speaks about how he fell in love with sciences in his teens, which lead him to a career in medicine as an ophthalmologist and ophthalmic surgeon. He discusses how his studies by night at Emily Carr aided him in his medical practice by day, but also how attending workshops, and working in his own studio propelled his painting career forward in BC and beyond. Jack talks about the different mediums he works with, including oils and watercolours, and what influences his paintings, like nature and colourscapes. Jack discusses is work in the arts community, including his thematic shows at various galleries and creating a program for having art in hospitals. Jack speaks about advice for other artists and doctors.

Janet Esseiva

Oral History Interview with Janet Esseiva for the JMABC Artists Scribe. Interviewed by Helen Aqua. Janet Esseiva was born in South Africa in 1964. She is an artist currently based out of Bowen Island, B.C. Esseiva describes her younger years in South Africa during the time of Apartheid and her meaningful exposure to the arts. She explains her transition from an Information Technology professional in Cape Town to an immigrant in Canada eventually working as a full time artist. Esseiva is known for painted works that focus on nature, and she explains how these works can evoke strong emotions and meaningful connections between art and artist, as well as artist and viewer.

Janis Diner-Brinley

Oral Interview with Janis Diner-Brinley for the JMABC Artists Scribe. Interviewed by Brynn Gillies. Janis briefly describes her family history in Eastern Europe and Canada, and tells us of her immediate family. She discusses how she was immersed in artistic environments from a young age including parents who enjoyed the arts at home, and taking art classes as young as 6 years old. Janis recalls being the only girl to learn welding in school for her sculpture projects and working with the Winnipeg Art Gallery. She talks about how she uses traditional mediums like watercolours to convey messages about environment and landscape change, and how she learned to work with and teach watercolours to others. Janis talks about how her move from Winnipeg to Vancouver to Victoria challenged her, as the colour palettes and landscapes were not the same as those she usually painted. She talks about art classes, and what brought her into teaching high school, but also feats of curating exhibitions and starting the Jewish Film Festival in Vancouver. Janis also talks about participating in Judaism themed exhibits at her synagogue, her interest in archaeology, and the power of observation.

Jeannie Kamins

Oral Interview with Jeannie Kamins for the JMABC Artists Scribe. Interviewed by Bill Gruenthal. Jean was born in San Francisco, California. She offers an extensive history of her family’s roots in Europe and early American settlement, and shares about her marriages, children both biological and fostered. Jean stayed in California until she was 28, before she moved to Canada in protest of the Vietnam War. She talks about how she has always been entrenched in politics and public demonstration for causes such as Women's Rights, Black Rights and against conflicts in North America and abroad. Reflecting on her time as an arts student, Jean decided to make her art her permanent way of protest. Jean talks about doing political commentary in public murals, having her art used in event posters and sending a message through an expressive style. Jean shares her recent interest in erotic art, and how some of her previous art has been too risque for some gallery shows. Jean also talks about her volunteerism with the 411 Seniors Centre as well as food banks, as she says she doesn’t do art as much as she did before. Jean describes her most recent project which is a collaborative erotic calendar she is working on, alongside grant writing to raise funds for arts in the Seniors Centre where she volunteers.

Jessica Freedman

Oral Interview with Jessica Freedman for the JMABC Artists Scribe. Interviewed by Daniella Givon via remote Zoom call. Jessica was born in Montreal, but recalls moving around as a child to Israel and back to Canada where she grew up in Calgary. She explains immediate family history which included her mother who was a professional actor, and her father and brother who are musicians. She was primarily introduced to the arts through dance and music, though eventually was trained in visual arts at Simon Fraser University. She describes her different careers as a dancer, choreographer, accountant and yoga studio owner and instructor, but pursued arts full time after quitting her job to take care of her mother who was diagnosed with terminal cancer. Jessica explains how her painting style transitioned from realism to more expressive abstracts over time, and how she is inspired by emotions and colour. She also discusses how she is motivated by nature and chaos, collaborating on commissions, and the Jewish concept of tikkun olam, having her art contribute as a light to the world.

Joyce Ozier

Oral Interview with Joyce Ozier for the JMABC Artists Scribe. Interviewed by Carol Herbert. She speaks about her upbringing in the Jewish community of Boston, MA and provides a brief summary of her immediate family. She talks about her education, including her early artistic influences, and anecdotes relating to producing art and experiences as a child and teen. Joyce talks about how her arts career truly started in the experimental theatre/performance art scene in 1970 Vancouver. She talks about how this led her into arts administration in dance companies, and later teaching English as a second language into her fifties. Joyce explains how ESL teaching didn’t bring her the same happiness as the arts, and how her son convinced her to try store window dressing, which she eventually turned into a business for 10 years. She tells of how she transitioned to a full time visual artist, and how her art style is based in abstraction, movement and thematic use of colour. She also describes a prominent collection of work about the Holocaust that she is most proud of. She talks about how she continues to paint, and is also a part of a collective that she created for artists aged 65 and above called the B-Older Gallery.

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