Affichage de 456 résultats

Oral history interview with Joshua Wapp who was born in Ontario, 1969. His parents are both American but left for Canada due to politics. He works as a Cartoonist.

Follow-up interview with Sheila Romalis. Interviewed by Debby Freiman. Sheila talks about growing up in Vancouver during the Cold War, her education, and her involvement in the community. Her husband, Garson "Gary" Romalis, was a gynecologist who specialized in abortions. She talks about their shared beliefs on women's rights, and the attempts made on his life by by antiabortionists.

Oral Interview with Jeannie Kamins for the JMABC Artists Scribe. Interviewed by Bill Gruenthal. Jean was born in San Francisco, California. She offers an extensive history of her family’s roots in Europe and early American settlement, and shares about her marriages, children both biological and fostered. Jean stayed in California until she was 28, before she moved to Canada in protest of the Vietnam War. She talks about how she has always been entrenched in politics and public demonstration for causes such as Women's Rights, Black Rights and against conflicts in North America and abroad. Reflecting on her time as an arts student, Jean decided to make her art her permanent way of protest. Jean talks about doing political commentary in public murals, having her art used in event posters and sending a message through an expressive style. Jean shares her recent interest in erotic art, and how some of her previous art has been too risque for some gallery shows. Jean also talks about her volunteerism with the 411 Seniors Centre as well as food banks, as she says she doesn’t do art as much as she did before. Jean describes her most recent project which is a collaborative erotic calendar she is working on, alongside grant writing to raise funds for arts in the Seniors Centre where she volunteers.

Oral history interview with Rabbi Don Pacht. Interview conducted by Gary Averbach on October 8, 2020.

Oral History Interview with Ronald (Ron) Appleton, accompanied by his wife Brenda Appleton for the JMABC Artists Scribe. Interviewed by Carol Herbert. Ron Appleton was born in Vancouver and describes his youth working with his father who was an auctioneer and arts dealer. This experience introduced him to Inuit art which became the focus of his life’s work showing and selling works of Indigenous artists in his family-owned and operated galleries. Ron and Brenda describe the relationships they formed with Indigenous artists but also many art collectors, especially Jewish diaspora, around the world. Ron shares anecdotes related to prominent Canadian artists, as well as unique art pieces he’s seen across the decades in the business.

Oral Interview with Marcia Pitch for the JMABC Artists Scribe. Interviewed by Carol Herbert. Marcia discusses her upbringing in Winnipeg, Manitoba, and her parents and grandparents’ origins in Eastern Europe and immigration to Canada. Marcia mentions influences that led her to the arts, including education at the University of Manitoba and doing graduate work in California. In 1969, Marcia experienced the police suppression in response to the People’s Park Revolution in Berkeley. Soon after she returned to Vancouver where she studied education at UBC and volunteered with Amnesty International. She pursued an art style that reflected her strong feelings about politics, war, and the influences of her grandparents’ stories of Eastern European pogroms. Marcia's art includes mixed media collages and sculptures, and producing large scale installations for her gallery exhibitions. Marcia speaks about her upcoming project focusing on sexuality, women’s repression and feminism. She further explains her perspective as an older woman in the art world and the differing responses she has received regarding her art online vs. in person. Marcia relates experiences such as having children, volunteering, and being a part of the recycling community to how they’ve inspired her pieces or participation in the arts community.

Oral Interview with Joyce Ozier for the JMABC Artists Scribe. Interviewed by Carol Herbert. She speaks about her upbringing in the Jewish community of Boston, MA and provides a brief summary of her immediate family. She talks about her education, including her early artistic influences, and anecdotes relating to producing art and experiences as a child and teen. Joyce talks about how her arts career truly started in the experimental theatre/performance art scene in 1970 Vancouver. She talks about how this led her into arts administration in dance companies, and later teaching English as a second language into her fifties. Joyce explains how ESL teaching didn’t bring her the same happiness as the arts, and how her son convinced her to try store window dressing, which she eventually turned into a business for 10 years. She tells of how she transitioned to a full time visual artist, and how her art style is based in abstraction, movement and thematic use of colour. She also describes a prominent collection of work about the Holocaust that she is most proud of. She talks about how she continues to paint, and is also a part of a collective that she created for artists aged 65 and above called the B-Older Gallery.

Oral Interview with Susy Naylor for the JMABC Artists Scribe. Interviewed by Helen Aqua. Susy was born in Brooklyn in 1943 and talks about her family history in the city and abroad, as well as her immigration to Canada as an adult. She talks about her education including two nursing degrees which led her to teach nursing upon moving to Winnipeg. Wanting to transition to counselling, Susy moved to Coquitlam and commuted to school in Washington which eventually enabled her to open a private practice. Susy describes her challenges doing art from home as a middle-aged mother and how her outlook on her artistic ability changed as she did more workshops and gained mentorship, albeit still experiencing impostor syndrome. Susy discusses how her paintings don’t truly have stories, but are ambiguous and she loves to hear the interpretations of the viewers. Susy also discusses how participating in a Leonard Cohen themed art show made her realize her difficulties visualizing imagery in her head when she had an idea, helping to clarify her artistic process. She talks about her involvement in galleries and art crawls, and teaching classes to others who question if they can be an artist.

Oral Interview with Julia Lucich for the JMABC Artists Scribe. Interviewed by Bill Gruenthal via remote Zoom call. Julia was born in the Bronx, New York, but was raised primarily in Miami, FL. She speaks briefly about her family history and her immediate family including her children and husband. Julia discusses her education towards sociology and criminology in the United States and Jerusalem and her former career in public administration and as a life insurance agent. She also talks about the beginning of her interest in portraiture art which led to her artistic studies. Julia discusses her work in galleries and art shows, including a gallery in Texas and the Calgary Stampede. She speaks about her family’s relocation from San Jose, CA to Eugene, OR to Salt Spring Island, BC which allowed her to live rurally but close enough to good schooling options for her children. Julia discusses her artistic style as representational portraiture usually done with soft pastels, including her series ‘Party Animals’ which helped kickstart her art career. Julia talks about her teaching workshops in BC, showing Party Animals and the Pooka Project at the Calgary Stampede, and how she decides who she will paint. She closes discussing finding joys in art, even for those who are not artists themselves.

Oral History Interview with Nora Patrich for the JMABC Artists Scribe. Interviewed by Carol Herbert. Patrich was born in Argentina in 1952 and speaks about her upbringing between Argentina, Israel and the United States. She discusses her exposure to political activism and Latin American expressionist art throughout her formative years, including mentorship within her father’s politically charged arts collective named the Spartacus Movement. She tells her experience of the military coup in Argentina during the ‘70s, that forced her into exile in Israel with young children after her husband was assassinated. She explains how this led to a life of traveling activism denouncing Argentina’s past military atrocities, including anti-Semitic genocide, and fighting for human rights through art and protest. Patrich’s primary art mediums are painted murals and sculptures; she discusses their public installments into places like past concentration camps and military bombing sites, and how her art will always be political. She closes by talking about doing mosaic work, independent book printing and publishing, and how there is a documentary about her stories of Argentina.