Oral history interview with Isaac Messinger. He was born in Poland in 1929. During the war he was moved to Siberia, Russia. Later in the war he became a chauffeur for a General in the Polish Army, he was 16 or 17 at the time. After the war he ended up in Germany and was a pickpocketing. He got sent to an American school in Germany that was teaching children that were going to immigrate to North America, but he couldn’t sit still in class, so they gave him a job in the garage where he learnt English with the Americans that worked there. He came to Canada at age 18 or 19. He got a job as a tin smith, then he got a job as a carnie and made his way to Vancouver where he worked at the PNE. He eventually opened a steak Restaurant and ran it for a while. He talks about Casinos and Las Vegas. He talks about how he met his wife and their life together.

Oral Interview with Julia Lucich for the JMABC Artists Scribe. Interviewed by Bill Gruenthal via remote Zoom call. Julia was born in the Bronx, New York, but was raised primarily in Miami, FL. She speaks briefly about her family history and her immediate family including her children and husband. Julia discusses her education towards sociology and criminology in the United States and Jerusalem and her former career in public administration and as a life insurance agent. She also talks about the beginning of her interest in portraiture art which led to her artistic studies. Julia discusses her work in galleries and art shows, including a gallery in Texas and the Calgary Stampede. She speaks about her family’s relocation from San Jose, CA to Eugene, OR to Salt Spring Island, BC which allowed her to live rurally but close enough to good schooling options for her children. Julia discusses her artistic style as representational portraiture usually done with soft pastels, including her series ‘Party Animals’ which helped kickstart her art career. Julia talks about her teaching workshops in BC, showing Party Animals and the Pooka Project at the Calgary Stampede, and how she decides who she will paint. She closes discussing finding joys in art, even for those who are not artists themselves.