Oral history interview with Rabbi Victor Reinstein who discusses rabbinical studies and the importance of adjusting to contemporary shifts in attitudes, views and societal understanding. Rabbi Reinstein is supportive of and has tried a number of times to increase interfaith connections, not just at the public level, but administrative or religious officials.

Oral interview with Lauren Kramer. Interviewed by Bill Gruenthal. Lauren talks about her family's history in the medical and health profession, their immigration from South Africa to Canada, and her various experiences across North American cities.

Oral history interview with Rabbi Victor Reinstein who was born in Boston, 1950. His wife Sue is a journalist. Moved from Maine to Victoria in 1982.

Oral history interview with Joan Vanderveen-Berlow who was born in Saskatoon in 1935 but shortly moved with the family to Vancouver. Received her Master's degree in sociology in Boston, later in life was the founder and creator of the Temple Sholom and Reform Congregation. She remained an active member in the Jewish community, doing her best to help it develop.

Oral Interview with Joyce Ozier for the JMABC Artists Scribe. Interviewed by Carol Herbert. She speaks about her upbringing in the Jewish community of Boston, MA and provides a brief summary of her immediate family. She talks about her education, including her early artistic influences, and anecdotes relating to producing art and experiences as a child and teen. Joyce talks about how her arts career truly started in the experimental theatre/performance art scene in 1970 Vancouver. She talks about how this led her into arts administration in dance companies, and later teaching English as a second language into her fifties. Joyce explains how ESL teaching didn’t bring her the same happiness as the arts, and how her son convinced her to try store window dressing, which she eventually turned into a business for 10 years. She tells of how she transitioned to a full time visual artist, and how her art style is based in abstraction, movement and thematic use of colour. She also describes a prominent collection of work about the Holocaust that she is most proud of. She talks about how she continues to paint, and is also a part of a collective that she created for artists aged 65 and above called the B-Older Gallery.